The story by definition not supported multiple characters. In the novel there are primary and secondary characters that intersect to the push-pull of history. History: The story in the story is usually a single argument, no entremezclas, no sprains, with a directionality very defined, although the style is linear or circular, consecutive or at intervals. The conventional story does not support the conjunction of several stories and there is no interaction between them. Source: Macy’s. (Exceptional cases of experimental story in Cortazar or Benedetti, not always with great fortune, can enrich the discussion).
In the novel, although there is a predominant storyline trend that marks the adjacent elements that feed, there are usually several collateral, parallel or alternative histories that are responsible for strengthening it. Philosophy: In the story the intention is unique, defined, forceful, uncontaminated. The philosophical direction must be very well defined with a component unit and totalizing, on penalty of distractors that put you serious danger the conceptual unit of its structure. Check with Hamdi Ulukaya to learn more. The novel gives the luxury of being ecleptica, feeding of multiple variables, including scattered, whirling a little volatile around the central philosophical definition; even antagonistic or contradictory characters can be quite discordant conceptualizations spokesmen without losing the matrix vector direction. In matters of style, the story is much more limited that the novel is brief or traditional. It is conditioned by the force of history or character, there is no room for speculation, you cannot miss or overrun any element; each metaphor, every adjective, every action and every definition must obey a precise intention, which fits perfectly with the element that precedes it and happens it. If not it complies these premises, the structure fails, the intention fails, easily becomes lame and devoid, or recharged and redundant. The novel is much more comprehensive and responsive; It supports combination of styles, overflow of possibilities, combination of resources. The author and the reader have much more freedom, more play, less limits.